Thompson’s prose is an integral part of the story experience. There still needs to be a trace of the author’s voice there, and Hunter S. Also, adapting a book can be a bit of a tricky business. It’s a wild film, but you have to at least be able to comprehend some of it to enjoy it. Gonzo (Benicio Del Toro) running around screaming – with a trunk full of extremely dangerous drugs – for two hours. If Fear and Loathing didn’t have any voice-over narration, it would basically consist of Raoul Duke (Johnny Depp) and Dr. Suddenly, there was a terrible roar all around us, and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, and a voice was screaming: We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold. More importantly and specifically, I mean the Top 10 best uses of a voice over in film.ġ0. You shouldn’t always believe everything you hear!īut before we dive into these Top 10 films, it’s important to clarify what I mean by “Best Movie Voice-Overs.” I do NOT mean the Top 10 best films (and screenplays) that have some voice over in them. How do you feel about that? Cheated? Horrified? Violated? Good. And most of what he’s said didn’t actually happen. The character you’ve put your faith in, the character you’ve trusted throughout the film and started to like… well, he’s actually a serial killer. One of my favourite uses is to lull the viewer into a false sense of security. Some will use it to create ironic tension. Some writers will use voice-over to add a bit of reality to a situation that seems fantastical. Either way, they will expect the viewer to do something with this narration, rather than just mindlessly breathe it in. Their use of voice-over challenges the viewer, in some cases even upset the viewer. It’s just safer for them to assume that we won’t be able to figure it out.īut then there are some screenwriters and filmmakers that’ll use voice-over to compliment the work, and without it, I would argue that the film would not be as good. But they’re morons, so I’ll shove in some voice-overs to really hammer it on home.” I’m not saying that all filmmakers who use voice-over in this way are that patronizing most of them probably don’t even realize they’re doing it. I don’t want them to miss a single, clever bit of it. Some filmmakers just think we’re idiots and insist that every single bit of information is spoon-fed to us. Or they inform you about something that would have been better off left alone, for the audiences to stew on. Or they explain something that, with a little bit of brainpower and imagination, you could have worked out for yourself. They tell you what you already see on the screen. A lot of films use voice-over to no real effect. Any idiot can write a voice-over narration to explain the thoughts of a character.” In Adaptation, Robert McKee (played by Brian Cox) cries, “God help you if you use voice-over in your work, my friends.
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